Showing posts with label dance. Show all posts
Showing posts with label dance. Show all posts

Monday, May 13, 2013

YO! Why is everyone so happy? - Deep thoughts with "Vanessa's" SARAH MARIA DICKERSON

Rashaun Sibley (Sonny) & Me
YO! Why is everyone so happy?

BECAUSE WE’RE ABOUT TO OPEN IN THE HEIGHTS OH MY LORD.

 Since I auditioned for this show, my life has completely changed.

I originally heard about auditions for In The Heights late last year, and I knew ABOUT the show , thought it could be fun, but didn’t think I really stood a chance to be in it. I mean, its about Washington Heights...the barrio! I thought nah…I could not fit any role in that show.

Now, I AM ¼ Mexican (which I am very proud of) but I never thought of it as my ethnicity. My mom doesn’t speak Spanish, I barely ever see my grandma and when I do, the only Spanish she speaks is when she’s ordering at a Mexican restaurant. So, when my best friend Michael Sylvester told me I should audition I was like…whaaaaaat. What part could I possibly play? He told me to look up all of the songs for Nina, especially Breathe. I was like, really? He said trust me, it IS you. I went home, listened to Breathe, and sobbed for a good 20 minutes listening to it on repeat. It pretty much summed up what happened to me 6 years prior when I left college in Manhattan and had to come home after a semester…I felt like a complete failure and that I had let everyone down. I quickly became VERY attached to the part. I learned all of Nina’s songs, and had planned to audition for the show.



"Little Coca" and me!
Soon, I became very caught up in other shows I was doing, so Heights moved to the back of my brain. Then, I remember one night after a show of myFootloose, Adam, our Heights director, coming up to me in the greeting line and handing me his card, saying he wanted me to come audition for In The Heights. I was so excited that he had noticed me, so I made plans in my head to set up an audition time. BUT of course, soon I was once again caught up in the NEXT show, Thoroughly Modern Millie. I was TIRED at that point yall. T-I-R-E-D. I knew I needed to take a break. So, in a bold move, I said what the hell and cut my hair into the short bob needed for that character. Then, one night again – Adam is at Millie. I think oh no…I didn’t ever sign up to audition…and I really don’t have any plans to sign up anymore. He basically yelled at me for not signing up, AND for cutting my hair. (OOPS. I definitely regret that now.)We talked a bit, and he let me know that between Millie and Heights there was about a month til rehearsals started – with that little bit of info, I was totally on board again to audition. I signed up the next day, prepared my audition and showed up the day of - - TERRIFED.

Like I said before, I was not very familiar with the show at ALL. I had of course heard 96,000, seen the Tony performance, and knew the lead dude rapped a lot. That was baaaaasically all I knew, aside from all of Nina’s songs. So I showed up, (WITH some extensions in) sweating and shaking to the audition. Went in, sang my song, did some pushing around with Adam on stage while I sang (the whole time I was thinking am I really shoving the director right now?), and left the stage thinking AGH I wish I could do it all over! Went into the lobby and was handed callback packets for…Vanessa and Carla?!? What are THEIR songs and stories?! All I had ever learned was Nina, I had no idea who any of the other female characters were. My first feeling was extreme disappointment. I had really gotten attached to Nina’s character and seeing that I wasn’t called back for her I felt sad, BUT now I had these two new chicas to learn about. I went home, YouTubed and Google’d my face off and saw that both of those girls were AWESOME characters and I fell in love with them as well.

My best friend, Michael Anthony Sylvester - "Graffiti Pete"
So, I went to callbacks again, TERRIFIED. Especially when I walked in – I was a little late coming straight from my full time job, and was called in immediately to sing for Carla. I was flustered and completely botched it. But even from the beginning – I already felt the sense of family as soon as I walked off the stage from my horrid rendition of Carla’s solo in Blackout, embarassed. One girl said ‘I love your shoes’ and another agreed with her and somehow it made me feel so much better. I mean, who compliments other people at auditions? Who smiles and laughs and talks to you when they’re COMPETING with you for a part? Exactly. That’s what I mean when I say this was NOT your typical callback – everyone was SO nice. And everyone was SO FIERCE. Every voice was amazing. I got up to sing for Vanessa, I believe almost last and my nerves were just SHOT. I had just listened to 10 other BEAUTIFUL girls belt to the gods. But I got up there, and gave it all I could.

Dancing wise – I had a blast! The dance was so challenging and fun and I had the best time. And when I say everyone was a SICK dancer – I mean it. I was asked to salsa, alone, to Jay Z rapping at one point while everyone stared at me and I thought "I have no idea what the hell I’m doing. And everyone is staring at me oh my god" At this point, I started to feel pretty un-talented. I was having so much fun, but I was starting to think of it as "Hey, at least you tried!" I left feeling good about my audition on the whole, but felt that there was way too much talent there for me to have gotten any part…until the phone call from Adam came.

I got a text message that night –"You awake?" and I responded "Yes!" Adam called me. He asked "So, are you happy with how your audition went today?" I answered "Well…uh…I…could have done better with my acting while I sang…and I could have danced better. Are you happy with how things went?" He answered "That depends on how you answer my next question – will you be my Vanessa?" I can’t even begin to describe what I felt…WHAT!?!?!?!?!? I immediately started sobbing and DUH said yes. We chatted a little and hung up. I sat on my bed…and then it sank in…oh god. Im Vanessa. And I got really terrified. I had never played a "sexy" character before. Am I sexy enough? Can I dance well enough? What if no one likes me?
"The Fantastic Four" - Just part of the familia!
But from there, I started to get to know Adam, Lorens, Matt and Joshua and fell in LOVE with them. They quickly became my little family. Soon it came the day to have our first cast meet up – and it was like a family REUNION. It was like we had all known and loved eachother for years. When I say this cast is a family, it REALLY is. I could literally talk so easily to ANY of them. I am entirely in love with every single person. Pilar feels like my Abuela. Lorens is like my long lost sister. Each person is like another family member I have added to the tree.

Vanessa is one of the characters that I thought I would never get the chance to play. I remember seeing her in the Tony performance of 96,000, watching Karen Olivo and thinking wow that would be such an awesome part to play. She’s got swag, she’s got sass, I love her. But for some reason, I felt I really was never THAT person. The first time we all sang through 96,000, tears came to my eyes realizing that this was real life, I am doing something I thought I wasn’t capable of and lord almighty I am going to try my BEST to be as good as I possibly can. I want to do this for my family - my mom’s side of the family that comes from Guadalajara. I want to feel like if they saw the show, they would be proud of me. This is the first time I have ever felt like I’m Latina. I mean, I knew I was. But I’d never FELT it. Words have stuck with me that cast member Michael Sylvester told me – "it doesn’t matter HOW much Latin blood you have in you. Its there. You ARE Latina!"
Just call me, VANESSA.
I’ve had t deal with a lot of things on top of trying to keep it together in rehearsal . I’ve gone through major heartache, finding my way into a new job – and through all of this, my Heights cast has been there EVERY SINGLE DAY with hugs, words of encouragement, TACOS, and love. I could not be more BLESSED than I am now in my life. At the beginning of this journey I felt lost, alone, and unsure of who I was. Through finding my home in this cast, I have found myself. I’ve found confidence. I’ve found lifelong friends. I’ve found that I CAN be sexy, I can feel wanted. I would never trade being a part of the Heights familia for the world. I can already picture myself on closing night just sobbing as we sing the Finale. BUT I can’t think of that yet! We’re about to OPEN! I hope everyone is ready and so excited because I cannot WAIT to get out there and BRING IT!! WEPA!!!!!!!!!!!


 

Tuesday, April 17, 2012

MYSTERIES OF MARIA; Inside Artes de la Rosa's Maria De Buenos Aires - BLOG 6 - What IS a musical operetta tango ballet?

Today we blog with actress Lorens Portalatin who plays Alma, The Voice of the Brothel... one of the two youngest members of the cast, Lorens is proving to be quite a fierce company member! You'll have to see what we mean when the show opens May 11th at the Rose Marine Theater. You can be sure that you'll be seeing more of her on stage at Artes de la Rosa!
Lorens Portalatin with JP Cano

What IS a musical operetta tango ballet?

Whenever I first recieved the Facebook audition event invite for Maria de Buenos Aires I skimmed through it and disregarded it, thinking that someone would consider me either too young or unexperienced for this type of production. But after really going through and reading the description of the show, and hearing through the wording how passionate, and intense, and how physical the show was going to be, I just knew I had to be a part of it.

While reading the synopsis I knew that nothing like this had ever been done in Texas and that peaked my interest even more! A musical, operetta, tango ballet, that is NOT a musical, operetta, tango ballet... Honestly? What does that even mean?

I went through the audition process, was fortunate enough to be called back and then was cast as the Alma, the Voice of the Brothel. And in knowing that I was one of the two youngest in the show I knew that I could learn and experience so much from this production. Between the cast, dancers and production staff I have truly seen how much work and time and thought has gone into this entire process. From the storyline, to the characters to the very point or flex of a dancer's foot. It's going to be a marvelous monster within itself. Full of love, hate, anger, jealousy and every other deadly sin that you never knew could be portrayed in such a sensual and unseeingly beautiful way.

While being in rehearsal with the cast, crew and Adam (director), we've had the show broken down piece by piece, and all the way down to the heart of the story. The music. Astor Piazolla, wrote a show that did not have to be physically interpreted or represented. The story line drives the music, where it's going and where your mind takes you.

This is going to be a production that the audience walks out knowing and what we were portraying and telling them about Maria and her choices. They have never seen anything like it and it will be unforgettable

Monday, February 27, 2012

Artes dela Rosa Announces Principle Castin for the Regional Premiere of the Tango Opera, MARIA DE BUENOA AIRES


FOR IMMEDIATE RELEASE

Fort Worth, TX – February 27th – Artes de la Rosa is proud to announce principle casting for the Regional Premiere of Astor Piazolla’s Tango Operita, MARIA DE BUENOS AIRES which is receiving its Regional Premiere this May at Artes de la Rosa’s home The Rose MarineTheater.

Starring as Maria, is Grace Neeley making her Artes de laRosa debut. The actress has been seen through out the North Texas theatre community taking the stage at Circle Theatre (The Great American Trailer Park Musical) and Casa Manana where she played Linda Lou in The Best Little Whorehouse in Texas, starring Ruta Lee & Ed Dixon. “The role requires an epic journey ranging from youthful naïveté, to rambunctious sensuality, to frailty and despair without ever loosing a sense of hope. When we found Grace, we knew we had a woman who could not only embody the role, but truly define tango itself,” says Director Adam Adolfo.

Returning to the Rose Marine stage after glowing reviews for his turn as Valentin in Artes de la Rosa’s critically praised Kiss of the Spiderwoman is Keith J. Warren in the lyric tenor role of Maria’s love interest, El Payador. Most recently Keith was seen in Rags at Lyric Stage, under the supervision of maestro Jay Dias and Broadway composer Charles Strouse. A fixture of musical theatre stages regionally, performing with Casa Mañana, WaterTowerTheater, Garland Summer Musicals, ICT Mainstage, Bass Performance Hall, and The Jefferson Performing Arts Society in Louisiana, Keith rejoins the Artes de la Rosa family for this, his first “little” opera.

Rounding out the principle cast is JP Cano in the role of the Goblin Ghost Storyteller, El Duende. A trained dancer, JP has been seen on the stage at Teatro Dallas in La Máscara que Hablaba, Don Juan, the Vampire, Blue Beach, and last year’s The Maiden of the Used Books. Other stage credits include MBS Productions at Adam and Eve… and Kiss the Boys. TV appearances include the Bravo’s show Most Eligible Dallas, My Style’s Big Rich Texas, and NBC’s Chase. Cano debuted at the ADLR Cultural Center last year as part of the American Classics Theatre Initiative production, A View from the Bridge.

When asked to comment, Maria… star Grace Neeley offered, “"When I heard Piazzolla's score, I knew I just had to be part of this production. The music, the art, the dancing, it's one of those once in a life time opportunities for a performer."

“The production team and I are so excited to bring together three of the most talented individuals in this singular storytelling event. Their poise, passion,and perfection are precisely the traits we so tirelessly searched for in performers. Grace, Keith, and JP are stars, and their performances will be North Texas epics,” offers Artistic Director Adam Adolfo. Production begins May 11th at the Rose Marine Theater in Fort Worth for a strictly limited 3 week engagement through March 25th.



About MARIA DE BUENOS AIRES

Born in the slums, luredby the city, surrendered to the bordellos, Maria's life is the story of the tango. Through song, dance, and poetic narration, Artistic Director Adam Adolfo transforms the historic Rose Marine Theatre into a dark haunted bordello in Argentina. The ill-omened María, born "one day when God was drunk", heads to the center of Buenos Aires, where she is seduced by the music of the tango and becomes a streetwalker. Thieves and brothel keepers, gathered at a black mass resolve her murder. After her death, Maria becomes a wandering ghost, until she is spectacularly reborn through the power survival, freedom, and above all things, love.



Artes de la Rosa’s Adam Adolfo directs with Elise Lavallee choreographing. Joshua Bradford serves as music director and conducts the 7-piece orchestra, who are part of the staging of this production, which has set design by Artes de la Rosa Technical Director Oliver Luke, costume design by Justin Kailer, lighting design by Michael Cole, and sound design by Adam Adolfo.



TICKET INFORMATION

MARIA DE BUENOS AIRES opens Friday May 11th and plays Fridays & Saturdays at 7:30 pm and Sunday Matinees at 2:30 pm through Sunday May 27th. Opening Night Gala Tickets are $25 for which includes Maria’s Midnight Milonga: a Private Gala after Party with the cast, staff, and donors of Artes de la Rosa. General Admission tickets for the rest of the run are $18 for adults and $15 for students and seniors, matinee prices are $15 and $10 respectively. For tickets or more information, call the Rose Marine Theater Box Office at (817) 624-8333. Special ticket prices are available for groups of 10 or more. Tickets can be purchased online at www.artesdelarosa.org.

Sunday, March 20, 2011

Rehearsal Pictures from Kiss of the Spiderwoman


Marta, Michelle Foard and Keith J. Warren as Valentin


Chorus Member Ian Lewis and Spiderwoman Emily Kate Hardy