Showing posts with label technical rehearsals. Show all posts
Showing posts with label technical rehearsals. Show all posts

Thursday, April 26, 2012

MYSTERIES OF MARIA; Inside Artes de la Rosa's Maria De Buenos Aires - BLOG 9 - ILLUMINATING DISCOVERIES

Today we blog with Lighting Designer Michael Cole. Michael is not new to ADLR having served as Assistant Lighting Designer on our production of A View From The Bridge. Michael is a creative beast as an Artist and is bringing his own special brand of en-lightning Illumination to Maria de Buenos Aires... Opening Night is just around the corner...www.artesdelarosa.org

ILLUMINATING DISCOVERIES
Adam first approached me about designing the lighting for Maria de Buenos Aires while I was on tour with a production of My Fair Lady. We had been having conversations concerning different philosophies of art and how art is influenced by life and how it affects life.
One day out of the blue, Adam sends me an e-mail telling me about a production he would be working on called Maria des Buenos Aires. Apparently the original lighting designer had taken another job in New York and would be unable to commit to the project. Being out of college for a year, looking for new experiences, I gladly accepted the project.

In the following weeks our conversations about art transformed slowly into me asking a lot of questions: what was it about? Why was it written? What in the world is an Operita?! Adam was able to send me what I can only describe as a research book. Filled with inspirational imagery, detailed history of the production, synopsis, libretto, pages of character descriptions, author biographies, etc. It was…thoroughly…researched.
Normally, my design process would begin with the script as it is the “blueprint” of the production. As this production is based on the tango, however, it was more appropriate to begin with the music. The music itself was a joy to listen to. I could hear the colors of the production very succinctly in the dynamics and melody. After reading the script, I went back to the music to make notes and drawings that I felt captured the style.

The next step was to ascertain the tools that I had to work with. In working with the technical director/scene designer, we compiled an inventory of the lighting gear available. To do this, it was necessary to remove every light from the stage. Something that had not been done in years. The entire lighting system will be reconfigured for Maria... to suit her needs.
In this production, the lighting will paint every scene to help evoke the spirit of the story. Strong theatrical looks, not limited by the confines of realistic lighting, will sculpt every segment of the story. Heavy use of color and angle will add to the tango drama that is Maria. You won’t want to miss this.



Friday, November 18, 2011

On The Journey - 26 Miles; BREAK TIME

This blog is written at the beginning of an entire week off from rehearsals. While not completely unheard of (particularly as we approach the busy holiday season), I am not used to having such a large block of time of in the middle of the rehearsal process. It would be far too easy to relax, enjoy the extra free time in the evenings, and lose focus on the show. And that would be tragic.

Fortunately, the break is well-timed. We have already done the initial character work, the rough blocking, and a stumble through- the bones of the show are in place. We are not yet in the crunch time of tech week, where the acting has to be locked in to accommodate lighting, sound, and other production elements.

It is nice to let the show percolate in my head for awhile. Sometimes in rehearsal, when i am on stage and in the moment, it is hard to take a step back and look at the larger picture. Rather than trying to remember which line was supposed to cue a cross or deciding what inflection should be placed on a phrase, I can look at the grander themes of the show and its imagery- how individual scenes and/or characters support the overall goals of the production.

It is a great cast and I am enjoying working with everyone. Each actor brings a unique perspective, great talent, great motivation, and a willingness to provide input to develop the show. I find it hard to lock in a charcter or a scene early in the rehearsal process, because so much depends on the other actors around you. At this point, however, I am comfortable with each of them and so I am confident in the direction that the show is going and in how I need to go in order to best support the show.

And the good news is that there is still time to further develop each character and each scene. There is little worse than realizing late in the rehearsal process that something on stage doesn't work or could be done better, only to conclude that nothing can be done about it because there isn't enough rehearsal time left to address it and fix it.

Rather than look at this week as a vacation from the show, then, I am looking forward to being able organize and refocus all of the thoughts from the work of the last couple of weeks. As I am confident that the rest of the cast is doing the same, I am excited to see how the show has progressed and matured even in the absence of a formal rehearsal. I think that it will be amazing!

-David Johnson
Actor